Is technology an invasive species?

What are the limits to growth of educational technology? As explored in previous modules, educational technology is not neutral, nor is it somehow a happy medium between ‘part of the problem’ and ‘part of the solution.’ There are environmental implications of ET that tend to be marginalized or outside the normal scope of discussion.

In his 2007 keynote address at the Building Learning Communities conference, Dr. Zhao fittingly describes the birth of educational technology as a solution looking for a problem. This description fits the analogy of educational technology as an invasive species – one that alters the interrelationships of all organisms and subsystems within an ecosystem in order to survive and thrive.

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What kind of relationships are appropriate with machines?

What kinds of relationships are appropriate with machines? How are our answers to this changing?

Turkle focuses on the relationships between users and machines by examining the psychological impacts of machines on their users. Designers take an instrumental view to machines because they focus on what machines do for users, but users’ relationships with machines are based on the way that they influence our ways of seeing the world, the way we think and the nature of our relationship with others. In our one-on-one relationships to computers, Turkle thinks that the Rorschach effect is at play wherein the user projects his/her mental and emotional states on the machine. The machine, therefore, is a second self that extends our mental and emotional state.

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Bourdieu and the Cyborg Manifesto

Bourdieu (p. 235) asks: “Does this mean that the demarcation line between the world of technical objects and the world of aesthetic objects depends on the ’intention’ of the producer of those objects?” What does he think and what do you make of this? Is technology differentiated from art by what a producer says?

Bordieu identifies several factors that influence the impact of television on its audience. In his opinion, content and intent of the author are secondary to the constraints imposed by the attributes of the medium itself. Bordieu recognizes television as a medium that strives for the largest audience possible. The social, economic and political pressures imposed on television have the effect of creating a flat structure for engaging a wide audience. Flattening complex hierarchies of knowledge is only one of the effects on content imposed by the attributes of television. Wide accessibility is also attained through time-related restrictions. Television is tightly constrained by programming schedules, tight production timelines and the short shelf life of content.

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Are We Pancake People?

I wanted to title my post Are We Pancake People? because Sparrow et al’s research reminded me of Nicholar Carr’s article: Is Google Making Us Stupid? In his article, Carr quotes the playwright Richard Foreman who talks about how our intelligence is evolving: the replacement of complex inner density with a new kind of self—evolving under the pressure of information overload and the technology of the “instantly available. Thus, the connected world enabled by google has spread our intelligence wide and thin – like a pancake. This kind of information processing wherein we rely on our connections with other people, a kind of distributed neural network, is transactive memory – a term coined by Daniel Wegner, a social psychologist, in 1985.

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“If value, then right”

For the past 163 years the code of “if value, then right” has been used as a defense in providing legal justification for the fair use of copyrighted material. In non-legalese, “if value, then right” means that fair use is permitted if the derivative work (or copy) (1) adds value (i.e. is of public benefit), (2) does not reduce the value of the original work, (3) is not an excessive amount and (4) is not for commercial use. In assessing the applicability of the fair use criteria, we must consider the commercial implications for the original work, the commercial value of the derivative and copy, the amount and substantiality of the portion used, the purpose and character of the use, as well as the purpose and character of the original (copyrighted) work. Under these guidelines, is use of copyrighted material for educational purposes always in the public interest? Many of these assessments require a subjective assessment of commercial impact, purpose and character and public interest. This subjectivity makes the determination of value disputed.

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Question Concerning Educational Technology

Can’t we just ignore history and get on with the educational media and technology show? To what degree ought we pay attention to history? Who cares about old media— the future is in new media, isn’t it?

‘Who controls the past,’ ran the Party slogan, ‘controls the future: who controls the present controls the past.’ says George Orwell in 1984. The discourse around educational technology often touts technological advancements as the future of education. However, the future cannot be constructed without understanding the past. The present is always conflicted between the intractable, deterministic drive of an id-like past and the aspirational ambitions of a super-ego-like future. The present, ego-like, must be the mediating agent that understands the drive of history (and its impacts) to help us better navigate the road to the future. It is only by understanding and dissecting history that we can perceive the future as a network of choices rather than a destined, immutable inevitability. The past, the present and the future become the past, the present and the possible in light of history. This understanding allows us to evaluate and pursue options with greater understanding and responsibility. Jacques Ellul might argue that examining the historical dimension of technology allows us the true freedom of evaluating technology from a moral and ethical perspective, thus enabling a freedom that the interminable drive of technology seeks to suppress by valuing mechanistic efficiency above reflection.

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Some weaknesses in Kress’ multi-modality framework

In The garden of forking paths Jorge Luis Borges describes a novel where a character can choose a path such that it does not eliminate the option of pursuing a mutually exclusive path. Thus, the character can traverses a future wherein their paths diverge and then converge again, thereby allowing alternative possibilities to occur simultaneously. This fictional labyrinth is a fitting metaphor for understanding the hyperlinked, hyper-reality of the world wide web where infinite possibilities are laid out before the user like a labyrinth and they can walk along an endless trail along forking paths.

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